Author : HAXX0RZ

All three of the great Greek Tragedians have written plays about the bloody chain of murder and revenge within the royal family of Argos. Yet theirs is in fact not a story of tragedy, but rather one of redemption. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration to be heard throughout the ages. Forming a discourse set against the emergence of Athenian democracy out of a period of chaos and destruction, the Orestian plays are compelling stories of the tensions between our obligations to our families and the laws that bind us together as a society. In the beginning, we witness how a king's decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution. In the aftermath of regicide, we behold how a son must set out to avenge his father's death by committing a most egregious sin. In the end, the sinner is tormented by supernatural powers that can never be appeased, but ultimately finds redemption and ends the curse on his house once and for all. Woven through all of this is the story of a friendship so close that it elevates itself to brotherhood - Where the blood of the covenant is shown to be indeed thicker than the water of the womb. In this very brief twelve-chapter modern rendition of the Orestian plays, I have chosen to place my focus mainly on the lives of the characters Orestes and his best friend Pylades. The chapters, each around 2000-2500 words, are split up evenly between them in first-person narrative. I hope that you will come to enjoy reading this heartwarming story, but more importantly, that you see how the conflicts portrayed in the story, whether human or institutional, are still much very relevant to our societies today. Note on Sources: The details of this story is very loosely based on The Oresteia by Aeschylus. And I mean very loosely. Other sources that I referenced for detail and inspiration are Mythology by Edith Hamilton, Electra by Sophocles, and Iphigenia in Tauris by Euripides. You may also find that I have quoted some of these works, and others (such as Shelley's Ozymondaeus), without citations (average of 1-2 such quotes per chapter). I did this because I do not have the ability to describe certain scenes nearly as well as some of those writers. If you read a particularly beautiful piece of prose here, chances are it's probably stolen lol. Also, I wrote this during the summer between my high school senior year and my college freshmen year. It was the summer of 2020, and being quarantined apparently gets my creative side out lol.

Author : Dr_Nemo

Pride & Prejudice & Superpowers! In this England the gifted have ruled since the Norman's invaded. How will a series of unexpected attacks in Meryton shortly after the Assembly impact Elizabeth and Darcy? This is a different look at canon with the addition of powers, politics, adventure, and espionage. But the heart of our story is still the rough road to romance for our dear couple. The story is complete.

Author : HWPerfidy

Lin is a Weaver of Fate, someone who can see and weave the Threads of Fate. Her family had always cautioned her to be aware of the boundaries her role imposes upon her, to know that she is merely to watch and witness all that happens. But Lin is not convinced. She will do all she can to write a shining legacy, no matter what Fate has to say about it. (Community magazine contest submission)

Author : A Writers Refugium

The heroine is good and the villainess is evil. That was the absolute truth. That rule was undeniable as well as the fact that only the heroine would receive true love and her happy ending. Likewise, the malicious villainess would always suffer and leave the stage to clear the path for the perfect heroine in the end. So, for Blanche, it felt like her world came crashing around her when she remembered the truth about her life. As the villainess in the typical romance novel "To Be Empress", she was fated to be condemned and abandoned by her lover. No matter how devoted she was to Theodore Estien, the emperor of Artias, she would only be the bratty concubine that would obstruct the heroine, who happened to be Theodore's lawful wife and the empress. In the end, the villainess would be deserted and executed. It was destined to happen like this, and yet she couldn't give up. She had to change the future. Preventing the romance between the main characters would get her killed. Much like trying to steer away from the enemies' intrigues, in which she was already caught up, would. But neither the heroine nor the emperor's political rivals would change the fact that Blanche loved the man that was supposed to be the heroine's. And no matter what happened she would always stay by her lover's side. So she wouldn't just follow the book's storyline and let her own doom arrive. Blanche would survive while trying to suppress all of the selfish desires that had made her the villainess. But was she truly fine with that? Did she not desire more than just surviving? Did she even have the right? Could the villainess ask for a happy end? Was she too brazen if she just wanted to stay with the man she loved and receive his affection? And wasn't there a bit more to this novel than she remembered? She didn't know and in the end that mattered little when the world around her changed with each day as more and more questions about the future and the past arose. *The Profanity tag was added due to the characters' occasional swearing, which should not happen too often.

Author : HeWhoLooksSkyward

An automated probe has arrived at its destination. It's mission? To evaluate the possibility of colonization. ...but it is about to discover far more than it ever imagined.